Splicers for Film Before Processing (Adhesive Tape)

 Cuts the adhesive tape for an extremely resistant wraparound splice on 16mm film.Special for darkroom use, to splice film before continuous processing.

• Central stop pin for easy film positioning before tape application in the darkroom.
• Hold down clamps to keep fixed film ends during tape application.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary. We recommend to use a proper splicing tape like our chemical-resistant CIR (NAS12A 25mmx20mt Tape Black/Pre)

 Cuts the adhesive tape for an extremely resistant wraparound splice on 35mm film.Special for darkroom use, to splice film before continuous processing.

• Central stop pin for easy film positioning before tape application in the darkroom.
• Hold down clamps to keep fixed film ends during tape application.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary.
• We recommend to use a proper splicing tape like our chemical-resistant CIR (NAS12A 25mmx20mt Tape Black/Pre)

Perforates and cuts the adhesive tape to join 35mm film with negative perforation.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.
• For a better result in time we recommend to use a proper splicing tape like our CIR (NAS8 25mmx10mt Tape Clear Edit).

Perforates and cuts a special 38mm wide adhesive tape which covers exactly 2 frames of 35 mm film with negative perforation.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.
• For a better result in time we recommend to use a proper splicing tape like our CIR (NAS9B 38mmx10mt Tape Clear Edit).

Perforates and cuts the adhesive tape to join 16 mm film.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Retractable pins for splicing of non-standard pitched film.
• Film-hold-down-springs for curled film.
• Guide lines for tape application.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS2 15mmx10mt Tape Clear Edit)

Available with additional diagonal cutter for magnetic tape.

 For a better result in time we recommend to use a proper splicing tape like our CIR (NAS2 15mmx10mt Tape Clear Edit) 

Perforates and cuts the adhesive tape to join 17,5 mm magnetic tape.

• Auxiliary guide channel to allow the cut of even 1 only perforation from the end of magnetic tape during editing and synchronizing operations.
• Magnetic tape diagonal cutter.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS2 15mmx10mt Tape Clear Edit)

Perforates and cuts the adhesive tape to join 35mm film.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS8 25mmx10mt Tape Clear Edit).

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS8 25mmx10mt Tape Clear Edit).

Available with additional diagonal cutter for magnetic tape.

Perforates and cuts a special 38mm wide adhesive tape which covers exactly 2 frames of 35 mm film with positive perforation.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS9B 38mmx10mt Tape Clear Edit).

Perforates and cuts the adhesive tape to join 35 mm film with cinemascope perforation.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS8 25mmx10mt Tape Clear Edit).

Perforates and cuts the adhesive tape to join 65mm negative film as well as all 70mm positive film “cinema”. Equipped with side film cutter to exactly cut on frameline between the film perforation holes.

• *On request the special mask & cutter to apply the adhesive tape on back of film without covering the eventual sound tracks.

For a better result we recommend to use a proper splicing tape like ours:

• CIR NAS8 25mm x 10 Clear Edit Tape (for Positive film)
• CIR NAS10 8,5mm x10mt Clear Edit Tape (for Negative film)
• CIR NAS12A 25mm x 20 BLACK SPC (for Negative before processing)

Perforates and cuts a special 38mm wide adhesive tape which covers exactly 2 frames of 35 mm film with positive perforation.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS9B 38mmx10mt Tape Clear Edit).

Perforates and cuts the adhesive tape to join 16 mm film.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Retractable pins for splicing of non-standard pitched film.
• Film-hold-down-springs for curled film.
• Guide lines for tape application.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS2 15mmx10mt Tape Clear Edit)

Especially designed for splice-reinforcements and short perforation repairs on old 35mm archive film (negative/positive).

• Re-make dried-out, damaged or half detached splices due to ageing, which would not pass through re-printing or telecine.
• To reinforce or repair damaged perforations due to ageing, which could not be repaired with the normal pre perforated adhesive tape without alterning the film pitch.
• Always performing perfectly butt well-aligned splices, even when film is remarkably shrunk.

For better results in time we recommend to use a proper splicing tape like our CIR (NAS12A SPC 25mmx20mt Tape Black/Pre or NAS9B 38mmx10mt Tape Clear Edit)

Perforates and cuts the adhesive tape to join 35mm film.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS8 25mmx10mt Tape Clear Edit). 

Perforates and cuts a special 38mm wide adhesive tape which covers exactly 2 frames of 35 mm film with negative perforation.

• Micrometrical registration pins regulator to obtain always perfect butt splices also with old and retired film.
• Spring-loaded knife, always ready for the next cut.
• Anti-skid plate with rubber foot mounting to keep the splicer stationary and to collect the punched-out tape rectangles.

For a better result in time we recommend to use a proper splicing tape like our CIR (NAS9B 38mmx10mt Tape Clear Edit).

Perforates and cuts the adhesive tape to join 9,5 Pathe’ film in one single action with a wraparound splice.

• Metal casting with cutting parts in stainless anti-magnetic steel.
• Possibility to splice old and retired film.
• Particularly indicated for film archives to reinforce or remake splices on old film without losing a single frame.

For a better result in time, we recommend using a proper splicing tape like our CIR (NAS11 14mmx10mt Tape Clear Edit)

 Perforates and cuts the adhesive tape to join 8mm film in one single action with a wraparound splice, leaving the soundtrack free.

• Metal casting with cutting parts in stainless anti-magnetic steel.
• Possibility to splice old and retired film.
• Particularly indicated for film archives to reinforce or remake splices on old film without losing a single frame.

For a better result in time, we recommend to use a proper splicing tape like our CIR (NAS13 12mmx10mt Tape Clear Edit)

 Perforates and cuts the adhesive tape to join super 8mm film in one single action with a wraparound splice.

• Plastic base with cutting parts in stainless anti-magnetic steel.
• Possibility to splice old and retired film.
• Particularly indicated for film archives to reinforce or remake splices on old film without losing a single frame.

For a better result in time, we recommend using a proper splicing tape like our CIR (NAS10 8,5mmx10mt Tape Clear Edit)

 Perforates and cuts the adhesive tape to join super 8mm film in one single action with a wraparound splice.

• Metal casting with cutting parts in stainless anti-magnetic steel.
• Possibility to splice old and retired film.
• Particularly indicated for film archives to reinforce or remake splices on old film without losing a single frame.

For a better result in time, we recommend using a proper splicing tape like our CIR (NAS10 8,5mmx10mt Tape Clear Edit)

 MAC2 35mm Splicer is specially designed for splicing all types of 35mm film and repairing any splice, even on very old library shots. It resolves the film pitch and/or width variation problems also arising with aging acetate or nitrate film. Thanks to a series of well-engineered matrix regulations it works perfectly with in-pitch and well-aligned splices and also enables you to renew defective splices before printing, thus eliminating possible transport problems. The electronic spiral miller accurately scrapes the film emulsion and simultaneously vacuums the entire resulting residue eliminating any ”rain” effect on the film.

• Warning monitor LED: new red led on the pressure plate to allow a quick check of the hot press in temperature condition
• Hardened hot press and film support bar
• Self-leveling press for better and stronger splices
• A simple mechanism for easy tuning of the miller thickness action